Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Tuesday, June 05, 2012

Fortunate lives

Fortunate_lives
Frankie cracked the fortune cookie and pulled out the slip of paper. As he read the message, the hairs on the back of his neck stood on end.

Kiss her

It wasn't the message, it was the context. He'd been kicking himself all the way home, thinking that's just what he should've done. Kissed her.
 
He had met Zadie four years ago, when he started working at the bank. Short black hair, geeky glasses that always sat slightly crooked, the barest sprinkling of freckles across the bridge of her nose. But they were both seeing other people then, and by the time they were single again they were friends. They bitched about customers and colleagues, crashed at each other's places when they were drunk, offered consolation and red wine when relationships turned sour. And now she was moving away, down to the central coast. Ditching the rat race, she said. Why risk what they had? But still...

Kiss her.

He'd missed the perfect opportunity. After the movie she invited him in for dinner. They cooked pasta together, for Christ's sake. A glass of red, just enough to take the edge off. Time evaporated as they talked and he never wanted to stop gazing at her crooked smile and deep brown eyes.

When she walked him to his car the moon was sitting, silver and bloated, on the suburban horizon.

Their breath turned to mist.

"Well, I'd better get going," he said.

"Yeah."

But he didn't go anywhere. They were standing almost close enough to touch. Zadie smiled. That was the moment.

Frankie cursed, and turned the fortune over in his hands. It must have been a joke cookie, if there was such a thing, because the back hadn't been printed with the requisite warning about not eating the fortune.

And where had it come from? The table was bare – no half-empty plastic containers to suggest that his housemate, Mia, had had Chinese food.

"If only you'd been here five hours ago," he said.

#

Over the following weeks, Frankie watched Zadie slip away.

She found an affordable place just down the road from the beach. He'd lost count of the number of times she had made him promise to visit.

That moment, standing in the moonlight, didn't repeat itself. Zadie was so busy preparing for the move Frankie only saw her at work. He often thought about telling her how he felt but it never seemed like the right time and then, suddenly, Z-day had arrived. He wiped the sleep out of his eyes and pulled a t-shirt on, doing his best to ignore the butterflies flitting around in his stomach.
 
Zadie had asked him to help her pack, but in reality there wouldn't be much to do. Just yesterday she'd told him that what little was left in the house would easily fit in her car. Max, her cat, was staying with her aunt and uncle until she'd settled in.

Frankie walked down the hallway into the dining room, then stopped.

On the edge of the table, sitting amongst old newspapers, Mia's dinner dishes (or were they breakfast dishes – she kept such odd hours it was hard to tell), and unpaid bills was a fortune cookie. Frankie's heart lurched. He'd been thinking a lot about fortune cookies since the Kiss her night. He kept the message in his wallet, as a constant reminder to seize the day.

With tingling fingertips he picked the cookie up and snapped it open.

He pulled the fortune out.

Don't let her go

He blinked and read it again, reality bursting through the fantasy. He was so stupid. He stormed into Mia's room, where she was curled up under the doona.

"Hey. Hey!"

She blinked up at him.

"Hey Frank," she said. Her voice sounded rough and for a moment he felt sorry for her. Pub work. It couldn't be much fun. Then she sat up and he caught a glimpse of the guy in bed next to her. Shit, another one.

Frankie wasn't a prude but she was going off the rails. Guys Mia met at the pub, she didn't know them from a bar of soap. He was worried she was going to get hurt – physically and emotionally. And, let's face it, a part of him was worried for himself, worried one of them might decide to take the DVD player with them when they snuck out in the morning.

"What the hell is this?"

Mia took the scrap of paper out of his hand. The guy groaned and rolled over. She shrugged.

"Looks like one of those message thingies out of a Chinese cracker."

"Where did you get it?"

"What?"
 
"The fortune cookie. Where did you get it?"

Now she was fully awake. "I didn't. I haven't had a fortune cookie for years."

He watched her for a moment but she wasn't lying. Mia was lazy, inconsiderate, but never cruel.

"Sorry. I'm just a bit worked up."

"Zadie's leaving today, isn't she?"

Frankie nodded, then turned, worried Mia might see the tears stinging his eyes.

Zadie's empty house looked alien to him. Bare walls and floors – movie posters and Persian rugs in transit. The lounge room looked so big now without Zadie's ridiculously overstuffed, unbelievably comfortable sofa taking up half the room.

"This is it then," she said.

"Yeah. Got everything?"

She was holding a carry-on bag in one hand and her keys in the other.

Don't let her go.

He was going to let her leave. There was no question of trying to stop her. That sort of thing only happened in movies.

He walked her down the front steps to her car and he couldn't believe he'd come so close to kissing her on this same spot, barely a month ago.

In the harsh midday sun it seemed impossible she could ever want him.

"I'll call you when I get down there," she said.

He nodded. He couldn't speak. It felt as though there was a golf ball stuck in his throat. She put the bag down and hugged him. She felt so warm. Her hair tickled his face. He could smell her perfume.

When she pulled away, her cheeks were wet. She climbed into her car and he walked around and shut the door for her. She started the engine.

"Don't go," he said.

"What?" A half-smile touched her lips.

"Don't go. Please."

"Frank. I have to go. All my stuff's down there. I've quit my job. I can't not go."

"Zadie, I love you."

"I'm sorry. I really am," Zadie said. She put the car into gear. Through a prism of tears, he watched her drive off.

There was no fortune cookie waiting for Frankie when he got home.

Zadie called him that night and apologised. She didn't offer to come back, and he didn't ask her to.

"I'm sorry," he said. "I got a bit emotional. It's just, we've been friends for so long. I didn't want to lose you. I'm an idiot."

The line went quiet. The conversation stalled.

Patricia took over Zadie's teller. She was nice enough. She put up photos of her three grown kids and grey-haired husband. She smelt of talcum powder and peaches.

Days turned into weeks. From time to time Frankie took the messages out of his wallet and stared at them, just to convince himself he hadn't imagined it all.

Emails replaced phone calls from Zadie. He was waiting for the one that started: "Something really exciting has happened. I've met someone!"

He almost wished for it. It would allow him to end this ridiculous charade and move on.

#

Frankie scratched his chest through his pyjama shirt with one hand and slopped milk onto his cereal with the other. He carried the bowl out to the dining room table, which was clear for once except for a plate dusted with crumbs and a fortune cookie.

He stared at it, not even daring to breathe. His mind conjured up a thousand fortunes, all of them involving Zadie, most of them involving the smell of sunscreen and salty air, the shock of cool sea water, an embrace.

Frankie set the bowl down and picked up the cookie, praying to a God he only believed in when he wanted something. He snapped it open and retrieved the message.

Ride to work

A snort of laughter burst through his lips, followed by hysterical giggling and then a fit of crying as he realised what a pathetic state he'd been reduced to.

"Ride to work? Ride to work! Why the fuck not?"

He strode outside and pulled his bike out of the shed. It was covered in cobwebs and the tyres were flat. He'd forsaken the bike for the train almost a year ago. He dragged it into the lounge room and set to work, muttering to himself.

Behind him a door creaked and Mia emerged, peering at him from the perpetual darkness of her bedroom. She took in his dusty pyjamas, greasy hands, crazy smile.

"What are you doing?"

"I'm going to ride to work today!" When she didn't respond, he winked and tapped the side of his nose. "A cookie told me to!"

Frankie was dripping with sweat and panting for breath by the time he reached the top of the hill. He was so exhausted he barely registered the crowd gathered there, backs turned to him.
 
Ahead, the road curved and the city spread out before him. He looked up and squeezed the brakes, sending a shudder through the back wheel.

A pall of smoke hung over the high-rise buildings. At first he thought it was a fire, a building on fire. He dropped his feet to the bitumen. A car slowed to a crawl behind him. Half a dozen people stood on the footpath, staring at the skyline. One woman had a hand raised to her eyes to block the morning sun.

A man repeated the same thing over and over again: "Terrorists. The bastards got us. Terrorists. Those bastards."

From a nearby house a woman emerged wrapped in a dressing gown, eyes gleaming, talking as though she'd known them all their lives.

"The train station. Sixty dead."

The guy in the car behind Frankie piped up.

"Radio's sayin' seventy."

Frankie didn't get to work that day. No-one did, not if they worked in the city. Instead he rode home and sat glued to the television, watching the death toll climb. Train carriages ripped apart like they were made of aluminium foil. Just like Mumbai and Madrid, the TV said. Even Mia got up to watch it, wrapped in her doona.

In the back of his mind, he wondered why Zadie hadn't phoned him.

She must've heard about it. These days everyone was connected, all the time.

This is it, he thought, angry and ashamed of himself, It's really over between us. Wallowing in self-pity while the ambos hefted charred corpses into body bags. One of those bodies should have been his.

Someone knocked at the front door. Frankie got up on shaky legs, eyes still glued to the box. They were showing CCTV footage of the blast.
 
People were just getting off the train when – bam! – the screen went white.

He smelt familiar perfume and turned to see Zadie standing in the doorway, sunglasses on, sweaty hair pinned back with bobby pins.

"I came as soon as I heard," Zadie said.

She crossed the threshold and wrapped her arms around his waist.

She was hot, her face wet against his shirt.

"But it's a three-hour drive," Frankie said, instantly regretting it.

Zadie didn't mind.

"Promise you'll never leave me," she said. "And I'll do the same for you."

#

The plane banked and Frankie risked a quick glimpse out the oval window. New York City scarred the horizon. The 747 hit a pocket of empty air and dropped twenty metres, prompting gasps followed by nervous laughter. Frankie's hand clamped down on Zadie's. She winced.

"Sorry," he said.

Zadie looked away from the window. "It's okay, honey. We're almost there."

"Yeah. I know. I'm going to kiss the stinking tarmac when we touch down."

"Well if it's good enough for the Pope..."

The plane plummeted again and his hand jerked, crushing Zadie's fingers.

"Sorry."

Frankie had never realised he was scared of flying. It was his first time on a plane. He'd been so hyped when he heard Zadie's parents were sending them to New York for their honeymoon he hadn't even wondered how he would handle the journey.

The take-off had been the worst part. He couldn't imagine the thing getting off the ground. All that steel, luggage, people. It just wasn't natural. The great hulk lumbered down the runway, engines screaming, cabin shaking, before finally lifting off. It was okay once they hit cruising altitude. And then they ran into the turbulence.

He glanced out the window, along the wing. One of the flaps was down. It was streaked with rust. His eyes fixed on it, waiting for it to move, to show some sign of operation.

His ears popped. They were descending. He couldn't even see the skyscrapers now. Frankie tried to think of nice things. The day Zadie moved in, when Mia actually washed up and baked them a cake. Their wedding day, at Zadie's parents' farm, when Zadie's dog Bozo led the bridal party down the hill towards him, pink ribbon tied around her neck. But everything was tinted with fear.

"Do you think that's supposed to be like that?" he said.

"What?"

"That flap." He reached over her and pointed.

"Yeah."

Terra firma loomed, blurred by velocity.

The flap shuddered. The plane plunged, engines shrieking. Oil streaked into the air. Zadie gasped.

"It's coming away."

Frankie saw the flap disappear, fatigue cracks slicing through the wing. The cabin filled with screams. Then an ear-shattering explosion, and everything went black.

#

Darkness. Hospital sheets. Pain. When he opened his eyes he wondered what Zadie's parents were doing in New York. They looked terrible.
 
"They said it was quite miraculous," her dad said. "Not many survived."

Frankie's leg throbbed; blood pulsed in his ears.

"You'll come to the funeral, won't you?"

From the day Frankie woke, the darkness never really lifted. Everything was tinged with bitterness and regret. When he was ready to go home Zadie's parents offered to drive him but he said he wanted to do it by himself.

Frankie expected the house to be a pigsty, but the place wasn't too bad. It even looked as though someone had mowed the lawn. Frankie had been a little disappointed Mia hadn't visited him in hospital, but this was a welcome trade-off. He limped through the front door and laid his day pack by the dining room table, his eyes scanning the surface but finding only newspapers and a dirty cereal bowl.

"Mia?"

She ran out of her bedroom and embraced him. He staggered backwards, a flare of pain shooting through his bad leg.

"I'm sorry. I'm so sorry," she said.

At first Frankie thought Mia had registered his gasp, but then realised she wasn't talking about that. He felt awkward. Why did people always feel the need to apologise? It wasn't her fault. He told her so, but she shook her head against his chest. He felt her tears soak into his t-shirt.

"Yeah, it is," she said.

Mia pulled away from him and walked towards her bedroom.

He followed her on numb legs. His mouth dried out and his hands quivered.

She opened a small wooden box and rummaged amongst lipsticks and faux pearls, then pulled out a slip of paper.

"No," Frankie said.

She offered it to him. "This guy I brought home must have found it on the table when I was in the shower. It was the day before you left. I didn't know..."

"No."

"...how could I have known?"

He took the fortune with numb fingers. His breath came in short, sharp gasps and black spots danced across his field of vision. His injured leg throbbed.

Frankie stood there, reading the fortune over and over again.

Don't get on that plane

He backed out of the room, frightened of what he might do to her if he stayed there. Thankfully, she didn't follow him.

"Jesus Christ."

Frankie screamed and punched the wall, screaming again as a shockwave of pain blasted up his arm. The air seemed too close, too thick.
 
His peripheral vision dimmed. He felt as though he was peering down a long, dark tunnel. He leant over the kitchen table. Blinked away the darkness. Then he saw it. A fortune cookie. Choking back tears he crushed the cookie in his good hand, letting the crumbs drop to the floor. He stared at the fortune.

It was a phone number, with a regional code. Frankie stared at it for a few moments, considering his options.

"Fuck it," he said. He carried it to the phone and dialled the number.

After four rings, someone answered.

#

The man's directions took Frankie west, where new housing subdivisions gave way to yellowing farmland. At the end of a pockmarked single-lane road he turned onto a dirt track that led to a three-storey pale green barn, the sort farm machinery is kept in, with a battered 1974 Corolla parked out front.

Frankie got out, stretched his bad leg and tasted the dusty air. Nothing seemed real any more. He felt as though he was watching himself on a movie screen.

Frankie limped through the open barn door. His eyes adjusted to the gloom. Oil stains on the concrete floor from farm equipment long since gone. Empty fortune cookie boxes, and the odd fortune cookie, crushed into the cement.

When he saw the machine he wondered how he could have missed it. Its bulk pushed to the ceiling of the barn, three storeys up, a mass of stainless steel pipes, scaffolding, and pieces of machinery like nothing Frankie had ever seen before. Plumes of frosty air drifted down from several places, and electricity occasionally arced, lighting the contraption from deep within. Every second he stared at it he noticed more details: electrical cables, red valve wheels and symbols warning of hazardous waste, radioactive material, and others Frankie had never seen before.

"Hello," a voice said. Frankie spun on his heels.

A man approached, hand outstretched. A crazy head of pitch black hair, eyes gleaming from behind wire-framed glasses. He was wearing a pair of dusty black pants and a short-sleeved plaid shirt with pens in the pocket. His grip was firm and dry.

"Lucian Barnes. I'm sorry about your wife," he said.

Frankie, stunned, glanced over Barnes's shoulder and saw the barn wall opposite the machine was covered from floor to ceiling in cork boards, and the cork boards were mostly filled with scraps of paper. Fortunes. A ladder was propped to one side.

"I don't know why it's fortune cookies. Maybe they're easy to send," Barnes said.

Below the board, a card table topped with an ancient Olivetti electric typewriter, and several unopened boxes of fortune cookies.

"Or maybe it's a psychological thing. You know, your mind is already prepared to think about the future, snapping open a fortune cookie..."

"What's going on?"

"I get messages. They helped me build that thing," he said, gesturing at the machine.

"I had some idea, of course, that such a method of transportation was possible. But I got stuck with the mathematics. Then I received my first message."

Frankie followed Barnes to the left-hand-side of the corkboard. In the bottom corner were a collection of fortunes with strings of numbers and equations on them.

"So now I send messages. I pass them on. Sometimes I send myself messages."

"Yourself?"

"Not me exactly. Other versions of me."

Barnes picked a ream of paper off the desk. He opened the ream as if it was a book, then pulled out a single piece of paper.

"It's like this. This bit of paper. This is everything, our whole universe. Everything, everytime. Past, present future."

"Uh huh."

"Only... there's this," he said, and placed the sheet back in the ream.

"All these other universes, and they don't line up properly. Our present in their future. Or past."

"Multiverse theory."

Barnes nodded at the machine. "That thing creates a hole."

"And you send cookies?"

Barnes nodded.

Frankie opened his wallet. He had kept all the messages. He had thought about throwing them out, but couldn't bear to do it. Now he laid them out on the table.

Kiss her

Don't let her go

Ride to work

Don't get on that plane

Frankie sat down at the typewriter.

"Can I change my past?" he said.

"I don't think so. The thing is, if you changed your past, you wouldn't be here, so obviously you couldn't have succeeded."

"I haven't sent the message yet."

Barnes shrugged.

"Or, if you could, you wouldn't know about it. If you change your past, you change your future. I think it's more likely that you can change the future in another reality. Make things better for another version of you."

Frankie thought of Zadie's body, what was left of it, lying in a morgue waiting to be buried.

"I can live with that."

Frankie typed the message and cut it out. Barnes used tweezers to pull a genuine message out of a cookie and put in the substitute.

"When do you want me to send it?"

"In place of the first one - Kiss her."

Together they walked over to the machine. On their far side of the shed was a small desk with a laptop set up on it. Frankie stood behind Barnes as he tapped at the keyboard, but didn't recognise any of the programs he was using.

"You have to understand," Barnes said, "it's taken me twenty years to get this far. Assembling the knowledge necessary to figure out what the messages I receive mean, and where and when I'm meant to forward them to. You're the first person who's visited me. I don't even know if any of the other messages have changed anything, in this dimension or any other. It's not exactly a precise science."

Barnes offered a lopsided grin.

"I understand. Like I said, I can live with it."

"Do you want to put it in?"

Frankie tipped his head back and stared at the machine. The hairs on the back of his neck stood on end. All of a sudden he wasn't sure he wanted to do it. Then he thought about going home, driving back to the city at dusk. He couldn't face that.

"What do I do?"

Barnes gestured at a ladder in the middle of the machine, fixed to scaffolding with duct tape.

"There's a receptacle at the top of the ladder," he said.

Frankie grabbed hold of the ladder and immediately felt vibrations buzzing through his body. Hairs all over his body stood on end and his fillings ached. He felt slightly nauseous. He counted twelve steps and stared into the machine's belly, blinking a couple of times to clear his vision. There was a small hole, just big enough for the fortune cookie. He reached out, icy air chilling his skin, dropped it in. The cookie dropped out of sight and the machine thrummed harder.

Frankie climbed down six rungs and then jumped, unable to bear the vibrating sensation any longer. He landed, favouring his good leg, then shook his hands and stomped his feet a few times.

Barnes tapped away on the keyboard. He turned.

"Are you sure you want to do this?"

Frankie nodded. Barnes hit the enter key. The vibrations bumped up a couple of notches, and a low drone filled the air. Frankie swallowed hard to try and clear his ears but it did no good. The world swam around him. The machine, the shed, even Barnes seemed to fade in and out at random. He saw himself, a thousand versions of himself, different clothes, different haircuts, wandering around the shed, then the bare paddock, climbing out of his car, a different car, a motorbike. His heart thumped hard when he saw Zadie climb out of the passenger seat, summer dress barely covering her tanned legs. Then she was gone, the shed was gone, the paddock was gone, everything was gone.

#

Frankie cracked the fortune cookie and pulled out the slip of paper. He read the message and the hairs on the back of his neck stood up.

Kick Mia out

It wasn't the message, it was the context. He'd been thinking this very thought for weeks. The house was constantly trashed, Mia always woke him up when she got home from work, and just lately she'd really lost the plot, bringing guys home from the pub all the time, cranking the stereo until the sun crept over the horizon.

It's not that she was a bad person, it's just if he was going to make a go of it with Zadie...

The thought caught him by surprise.

Make a go of it with Zadie. He liked the sound of that.

Frankie grinned, then forced his expression into something more sober. He strode towards Mia's room.

"Mia, we need to talk."

(First published in Borderlands magazine - issue 9, 2007)

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Wednesday, June 08, 2011

Time travel question (aka I lost my wallet in the future)

Okay, so I'm not talking multiverse because, let's face it, that's a cop-out.

And I'm not talking Back to the Future/Primer either because... well... physics isn't my strong point but you can't create matter, right? If the concepts of Primer worked, they could've just used the machine to duplicate bars of gold bullion, in the same way the machine duplicated people.

I travel two weeks into the future. So during that two weeks, I effectively disappear (think I just contradicted myself, but go with me, okay?). In the future, I drop my wallet in the lab.

I travel back in time, to just after the moment I left.

Is my wallet in the future? When that moment arrives, will my wallet reappear?

(Can someone lend me $50? I can pay you back in a fortnight)

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Friday, October 15, 2010

Movie Minutiae: Nineteen Eighty-Four (1984)

I was prompted to look into this after reading this story about a first edition of George Orwell's Nineteen Eighty-Four, found in a charity bin in Wollongong.

It got me thinking about taking liberties, since even the best adaptations take liberties with the original material. They have to - they're movies, not books! And part of the charm of adaptations is seeing how the screenwriter goes about it.

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Thursday, October 14, 2010

Like Inception? Try Ad Infinitum

I finally got around to seeing Inception last night. I had to drive half an hour and go and see a late session, which I generally try and avoid on 'school nights', but I'm glad I made the effort.

I loved how Christopher Nolan has taken a well-worn genre - the heist movie - and put a whole new spin on it. I also loved how the film was like four movies in one - each one sitting inside the previous like Russian dolls.

(If you want to have a good old chat about Inception, head on over to 100 Days of Action)

It reminded me of a story I wrote a few years back 'Ad Infinitum', which also plays with the notion of 'what is real?'.

'Ad Infinitum' was the first story I ever sold. Shadowed Realms is now defunct, but the site has been partially preserved thanks to Pandora. If you'd like to read 'Ad Infinitum', go here, then click on 'current issue', then 'Ad Infinitum'.

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Sunday, September 19, 2010

Finally, my AussieCon4 wrap

You would have thought that I'd written enough about AussieCon 4, but I wanted to blog about some of the personal highlights.

Kim Stanley Robinson talking about the importance of utopian science fiction. This really made me think about my own writing, because he's so right - writing about utopia is so much more of a challenge. I write a lot of dystopian stuff, although since having kids I generally aim for happy endings! It got me thinking about utopian stories. I don't have any, but at least it got me thinking about it!

Sitting on the panel next to Paul Haines, talking about why we're into horror when the real world is so awful (or words to that effect). I said that I generally enjoy reading and writing escapist fiction. Giant cockroaches, zombies, that kinda thing. But that's only partially true. Paul said that writing what he writes is a cathartic experience for him. For me, I can only write when I'm not down (or, I find it hard to write when I'm down). On the plane home I read three stories from Scenes From the Second Story, including Paul's "I've Seen The Man". 

When I interviewed Ellen Datlow in 2006 she told me:

"When I read a half a dozen really excellent, very strong short stories one after another, it's exhausting. You can't just go straight from one story to another if the first one makes the impact it should. It's difficult to switch gears that quickly."

And that's exactly what it was like. I'm not going to go all 'lit' on yer ass or anything like that (well, maybe a little). I like writing over-the-top escapist stuff because it's fun. But reading those stories made me aspire to something else. I want to write stories where the reader needs to take a pause at the end, catch their breath, have a think.

(Kinda like how I was today, after reading Stephen Dedman's "Never Seen By Waking Eyes" in Macabre - an excellent example of taking a well-worn trope, giving it depth and making it genuinely creepy.)

The short story panel with Cory Doctorow and Stephen Dedman was good for me, because it reminded me about podcasting (which Doctorow suits today's commuting lifestyle). I've since subbed two stories to podcast markets. Keep your fingers crossed for me! :)

As well as that, just meeting people! It was so good to catch up with Angela Challis and Shane Jiraiya Cummings from Brimstone Press. It was hard to believe I hadn't seen them IRL since 2006. When we were working on BLACK together it was almost as though the experience was so intense we were summoning each other, if that makes sense. It was great to see Kyla Ward again. And then there were a bunch of people from the horror scene I've had lots to do with, but never met IRL. eg Talie Helene, Marty Young -- I'm going to forget people here and get in trouble.

Then there were 'the next generation'. People who I've got to know on Twitter but never met. eg Alan Baxter, Felicity Dowker, and Helen Stubbs.

So, all in all, it was brilliant. And I really hope it's not another four years before I can get to my next con!

Last but certainly not least, I'd like to thank everyone who helped me with my grant application: Queensland Writers Centre CEO Kate Eltham, my boss at the ABC Stuart Watt, and Marty Young from the Australian Horror Writers Association. I'd also like to thank Kyla Ward for her efforts programming the horror stream, and honouring me by inviting me to sit on a couple of panels, and also Angela Challis for letting me read from 'Feast or Famine' at the Macabre launch.

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Minimalist cover for 'Bug Hunt'

If short stories had book covers, this is what the one for 'Bug Hunt' would look like! You can read 'Bug Hunt' for free, online. (PDF)

It was also an experiment in remixing CC content - inspired by the seminar I attended on Friday at The Edge.

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Sunday, September 05, 2010

Audio: Kim Stanley Robinson on climate change

A really interesting talk by Kim Stanley Robinson on what we can do about climate change.

  
Download now or listen on posterous
KSR_climate.MP3 (28856 KB)

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Me + friends

This is the money shot, baby!

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Interview with Graham Storrs

1. Congratulations on TimeSplash. So, up until now the book has been available as an ebook, but now it will be available in print and as an audiobook? Who is publishing the print/audio editions?

Thanks, Gary. My new publisher is a small, Danish company called Big Bad Media. They did the '100 Stories for Haiti' project recently, so you might have heard of them. They're a multimedia company, rather than the usual kind of indie publisher, and it's truly exciting to work with them. Their vision for everything is in multiple media and Web 2.0 marketing. The ebook deal was very much in the mould of traditional book publishing, but this is something else. The pace is breathtaking. 

2. Can you give me the 'elevator pitch' on TimeSplash?

Timesplashing - jumping back in time to create paradoxes - started out as something underground, edgy and cool. Then Sniper took it too far and turned time travel into the ultimate terrorist weapon. Scarred by their experiences in the party ‘scene’ that grew up around timesplashing, Jay and Sandra are thrown together in what becomes the biggest manhunt in history: the search for Sniper, Sandra’s ex-boyfriend and a would be mass murderer.

3. What was the inspiration behind the book?

I was pitching a much more 'literary' time travel novel to a Big 6 publisher when, as I was speaking, the image of lobbing time travellers like bricks back into the timestream came into my mind. I saw the splash and the 'river' of time smoothing it over but carrying some residual turbulence downstream. And I thought, kids would love doing that. It would make a great extreme sport, especially if there was some real danger involved. I was so excited, I blurted it all out, right then. Talk about queering your pitch! I went home and fleshed out the characters who were already forming in my mind and started plotting it straight away.

4. There's been a lot of talk about ebooks in the past few months, with the launch of the iPad. Depending on who you talk to, it seems they're going to either revolutionise publishing or be a disaster for mid-level authors. What's your take on this?

I'm sure ebooks will revolutionise publishing. It may be as little as 10 or 15 years before paper books are only produced as "deluxe editions" and by POD for die-hard technophobes. It looks like the paper book distribution infrastructure - the book shops - will crumble away well before then. Amazon is already the biggest paper book seller on the planet and the savvy book retailers are rushing to acquire market share in this online business. Once the book shops are gone, ebook prices will look very much more attractive. It's a shame about the iPad. Dedicated ebook readers, using e-ink, give a much better reading experience, but whatever the device, the economics of ebooks vs print will force the change in the end. 

Eventually, this will all settle down and everyone - authors, readers and the publishing industry - will understand the new market dynamics, but I think it is inevitable that we will have a decade or two of "interesting times" first. The biggest disruption will come not from ebooks but from self-publishing. This is where everyone is in completely new territory. For mid-list authors feeling threatened by change, I can only point to Joe Konrath and say, do what he does. The author, as always, is the brand.

My own path to publication is symptomatic of all this turmoil in action. TimeSplash was first picked up by an "ebook first" New York publisher. That was great but I didn't have an agent and didn't know what to do with my print and audio rights. Then a UK author, Emma Newman (who had podcast her own first novel before landing a publishing deal for it) said she'd like to record it and we could jointly self-publish it as an audio book. I thought this was a great idea. I love how Emma reads. Even before the recoding was all done, she let Greg McQueen of Big Bad Media hear a sample and he fell in love with the book straight away (bless him!) I sent him the full MS and within 24 hours I was on Skype with him, nutting out the contract details for audio and print deals. 

5. In your profile you say that you were always writing but never had any luck getting fiction published. What do you think was different about TimeSplash? Do you think focusing on writing full-time made the difference?

No, I think that was just sheer self-indulgence. What made the difference was taking fiction writing seriously as a business. I was a complete idiot about it for most of my life then, thanks to an event organised by the Queensland Writers Centre and Hachette, which included great advice and industry insights from people like Kate Eltham, Marianne de Pierres and Bernadette Foley, my eyes were opened. It was a real road-to-Damascus epiphany. I suddenly say how the publishing business worked, where each player fitted, and what each of them needed from me as a writer and business partner. After that, I wouldn't say it was easy, but, on some of the doors I'd been staring at glumly for decades, I could finally reach the knocker.

6. What are you most looking forward to at WorldCon?

Meeting people. I live out in the country and I only communicate with other writers by email. It's very rare that I actually get to meet one. And I've discovered over the past couple of years that I actually like my fellow writers. They're bright, they're fun, and they enjoy talking about writing! The WorldCon programme looks excellent but I'd honestly swap just about every session in it for a chance to have a coffee with the writers I've met on various social networking sites.

Posted via email from garykemble's posterous

Saturday, September 04, 2010

Kim Stanley Robinson still betting on utopia

Acclaimed science fiction writer Kim Stanley Robinson has told the 68th World Science Fiction Convention in Melbourne that he is still optimistic about the world's future.

Posted via email from garykemble's posterous

Audio: Kim Stanley Robinson Guest of Honour speech

Well worth a listen. Kim Stanley Robinson interviews himself! He talks about his childhood, the importance of fatherhood, his love of the outdoors, and hope for the future.


 

  
Download now or listen on posterous
KimStanleyRobinson.MP3 (22089 KB)

Posted via email from garykemble's posterous

Friday, September 03, 2010

The story behind Switzerland's first sf movie

If you're going to see the When ET Has a Chainsaw panel (Friday 1700, Room 212) and then Cargo tonight (Friday 2100, Room 210), you might like to check out this week's Movie Minutiae, over at The Buzz.

Director Ivan Engler told me all about the challenges of making Switzerland's first science fiction movie.

Cargo took eight years in the making, and a lot of blood, sweat and tears. Most of my fellow filmmakers know about the ordeal I went through, and everybody is not only impressed, but also quite scared when they hear about the sacrifices.”

Read more at The Buzz.

(My trip to AussieCon 4 has received financial assistance from the Queensland Government through Arts Queensland)

Posted via email from garykemble's posterous

Interview: Marianne de Pierres

Here's a quick interview with Marianne de Pierres (aka Marianne Delacourt)...

1. I see that you've got a packed schedule for WorldCon. Which panel are you most looking forward to being on, and which other panel/event are you looking forward to seeing?

Has Hollywood Sucked Vampires Dry? (Sunday 1300, Room 213) should be a lot of fun, but all of the panels are interesting. Who the other panelists are often determines how much you enjoy a topic, and all my fellow panellists for WorldCon are fabulous.

2. This is my first con since 2006, and first WorldCon ever. As a con veteran, do you have any advice for newbies such as myself?

Check back to the bar frequently, most real friendships are made there and the Dealer’s Room. Don’t expect to sleep much, and beware of a Cat Sparks room party – you may emerge changed forever.

3. I note that one of your panels is on jumping genres. You made your name with science fiction but you're having a lot of fun as Marianne Delacourt. How hard was it to make the jump from one to the other?

Ahem … I prefer the word “switching”, jumping connotes sinking ships! My reading tastes are eclectic and that often drives my writing muse. It’s always hard to break into a genre, a new voice can take a long time to build an audience. However, I don’t dwell on that too much, I’m writing books that I’m enjoying, that’s the bottom line.

4. What's the deal with writing under a different name? Is it so that the reader has a clear expectation when they buy a 'Marianne de Pierres' book or a 'Marianne Delacourt' book?

Yes. I’ve published seven SF novels and I didn’t want my SF readership confused. It’s a different style and tone and I think it’s only fair to signal that clearly.

5. Does Delacourt have her own back story, as Richard Bachman did?

Only in that she’s has a much more optimistic, lighter view on life. She deals with the murky stuff with humour.

6. You've also got a YA novel coming out next year. How challenging was it to jump into YA writing?

I guess only time will tell how the readers respond, but it is a very ‘personal’ piece. It is everything scary, sensual, mysterious, romantic, and adventurous that I ever wanted to read as a teen. I’m satisfied that I’ve written something very true to my original vision.

7. And is there potential for extra stress on the writer, when you have to keep two series going, instead of just one! (Admittedly, it would be a great quandary to be in!)

There are stresses when deadlines overlap, but for the most part its stimulating to have different stories to work on. I hate the feeling of being bogged down in one world, with one set of characters only. That’s when you can get a little crazy and want to kill them all off!

8. Is there one piece of wisdom you wish you'd had when you first set your sights on becoming a published writer?

I have a couple of succinct pieces of advice and you can read them here: http://www.mariannedepierres.com/extras/writing-tips/

Posted via email from garykemble's posterous

Thursday, June 03, 2010

Bug Hunt: read it now, online!

You can now read all the One Book Many Brisbanes 5 stories online, for free!

I haven't read them yet but, judging from the conversations I had with various writers, I can guarantee it's an eclectic collection with something for everyone.

Check it out at the One Book Many Brisbanes page.

And if you want to jump straight to 'Bug Hunt', you can find it here.

I'd like to once again thank Trent Jamieson and Stephen Dedman for their input on the story. I'll still take credit for all the sucky bits. :)

If you like the stories, you can buy a copy of the book from Brisbane City Council libraries for $11.

Thursday, May 06, 2010

Grants, rewrites, anything

I've got a good excuse for not updating my blog lately. Queensland Writers Centre's Angela Slatter told me to! Or told me not too.

Well, kinda. At the One Book Many Brisbanes masterclass she gave us a few tips about living the writer's life, and one of those was that you shouldn't be updating your blog when you could be writing.

I haven't been the most diligent blogger in the past, and this basically got me off the hook!

But I felt bad because my last post was so lame, so I thought I'd better give a quick update.

The One Book Many Brisbanes masterclass was excellent. I got to work with Trent Jamieson and it was like 'being a writer' for three days. Only better, because Trent was there for metaphorical hand-holding.

So, by the end of the three days I felt that 'Bug Hunt' was a much tighter story. Having said that, when I got the final proofs I decided I didn't really like it anymore! There seemed to be way too many short sentences. Like Raymond Chandler on crack, or something like that. I'm hoping this is because I'd been re-writing it so much that I was sick of it. So it will be interesting to see how people like it.

Since then I've been rewriting the bio-terror novel I wrote last year. Moving it from 'generic US city' to Brisbane has been fun.

Unfortunately, I've been a bit sidetracked by grant applications. I've just sent off an application for the Arts Queensland Career Development Fund. If I'm successful I'll be able to go to WorldCon in September, which would be awesome.

I'm also applying for an Australia Council New Work grant. I'm very happy with my AQ application. Nothing is ever guaranteed with these things because you never know who else is applying. But I figure this really is the right time for me, so I figured I may as well throw my hat in the ring.

So thanks to Kate Eltham and Queensland Writers Centre, because without them I wouldn't have know where to start.

The frustrating thing is that my life at the moment is such that I can only work on one thing at a time, so for the past couple of weeks that has mostly been grant applications. But I'm looking on it as an investment -- if it pays off it will be well worth it.

Well, that's a brief summary of what I've been up to. If you want to know more you can find me on Twitter!

Wednesday, February 17, 2010

2010 Snapshot of Australian Speculative Fiction interview

Kathryn Linge has interviewed me for the 2010 snapshot series (a follow-up on similar series ran in 2007 and 2005).

You can read the 2007 interview with me here.

Tuesday, February 09, 2010

Brisbane battens down for cockroach invasion

Nope, this isn't a State of Origin post!

I can today reveal that I'm one of the winners of the 2009 One Book Many Brisbanes competition.

Later this month myself and 19 other winners will work with mentors to polish our stories, for the 5th edition of One Book Many Brisbanes.

My story is about survivors trying to escape Brisbane after an infestation of dog-sized, brain-eating cockroaches.

The masterclass should be a lot of fun. I'm looking forward to it.

Wednesday, September 30, 2009

QWC blog tour: Sex, violence and monsters

Q. Where do your words come from?
A. Everyday experiences coupled with bizarre ideas/concepts. I watched a lot of TV as a kid. Some might say too much.

Q. Where did you grow up and where do you live now?
A. Born in the UK, grew up in Capalaba (southside Brisbane), now living in the shadow of the Mt Coot-tha TV antennas.

Q. What’s the first sentence/line of your latest work?
A. Jake McKinsley had worked enough undercover operations to know when something was about to go wrong.

Q. What piece of writing do you wish you had written?
A. The Shining, by Stephen King. It oozes claustrophobic terror.

Q. What are you currently working towards?
A. The first draft of Metamorphosis (working title), a sf/horror/twisted 'buddy' story about an undercover cop and a femme fatale who are forced to work together after a biological weapons attack wipes out most of the population of their city, and turns the survivors into blood-lusting, 12-foot-tall monsters.

Q. Complete this sentence… The future of the book is…
A. ...continued convergence of and crossovers between other art forms, such as TV, movies and video games.

This post is part of the Queensland Writers Centre blog tour, happening October to December 2009. To follow the tour, visit Queensland Writers Centre’s blog The Empty Page from October 6.

Friday, September 18, 2009

Movie Minutiae: WALL-E (2008)




Saw this movie last weekend and I can't stop thinking about the little guy!

I liked the movie, especially the first act. Yeah, it got a little cheesy towards the end, but I can live with that.

But WALL-E himself -- he's just so endearing.

Read my Movie Minutiae post here.

Tuesday, June 17, 2008

One Book Many Brisbanes 3 launch




Had an excellent time today at the One Book Many Brisbanes 3 launch at City Hall.

It was a great opportunity to meet some people I've been swapping emails with since finding out I was one of the winners, although it would have been good to have more time to chat with the other authors.

Check out the Flickr photo pool here. (If you were at the launch and took photos and don't mind sharing them, please join the group and upload your photos).

There's a possibility some of the authors might be appearing at a local library near you soon, so if I can I'll definitely be getting involved in that -- I'd love to hear some of the stories behind the stories.

Speaking of which, you can now read all of the stories (including "Untethered") here.

You can find out how to buy the book here, or alternatively borrow it from your local library.

The really good news is that Brisbane City Council is going to run the competition again next year.

I would strongly recommend that if you're a writer, you enter. I never thought I would win. I entered because, frankly, with a $6,000 prize, how could I not enter. And look what happened.

Sometimes life delivers happy endings!